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Psychiatrist Phil Stutz and psychotherapist Barry Michels offer smart strategies for a breakthrough in their new book The Tools: Transform Your Problems Into Courage, Confidence and Cre....
1. I know I have a creative force in me—that I can write or paint or play music—but I don't have a specific idea for a book or a painting or composition. How can I find an idea?
Many people feel the urge to do something creative but can't get themselves started. When they come into our office, they almost all say the same thing: "I know I have the ability. If only I knew exactly what I want to do—paint, write, sculpt—I'd have no trouble getting started." So they wait for that magical idea that will inspire them to begin...but it never seems to come.
New ideas don't come to those who wait and think; they come to those who act. Let's say you want to write a screenplay. To find an idea that you like, you must be already writing. Pick a story that feels "wrong" —those are always easier to find than ones that feel "right." Write a brief summary of the story and make sure you finish it. Then pick another story and do the same thing.
For most people, it's so painful to be wrong they can't act. They need to accept, in fact to desire, the pain of being wrong. But when you're willing to be wrong, you take your ego out of the creative process, and that's when the unconscious will reward you with an idea that turns you on.
2. I have a specific idea, and some talent and training, but every time I sit down to write/paint/play, I freeze up. Why? And what can I do?
Freezing when you sit down to work by yourself is the same thing as freezing in front of an audience. In both cases you're crippled by the fear of what people think of you. The only difference is that here, the audience is in your head, a hypothetical group of people that will judge your work in the future. You can almost feel their eyes on you while you try to work. How can an imaginary audience have such a paralyzing effect?
The answer is that deep down you feel you have to be perfect to win validation. That's impossible. In fact, there's a strange truth about human creativity: The most creative part of you is also the most imperfect. This part of you is called "the shadow."
When you try to be perfect in order to win the validation of the audience, all you do is freeze your Shadow out of the creative process. You've silenced the most creative part of your self.
The solution is to invite the Shadow back into the process—to identify and accept it. This requires you to accept the worst, in whatever form that comes: write the worst sentence, paint the worst portrait, play as off-key as you can. Once you do this, the Shadow feels accepted and its creativity will take over.
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